Saturday, September 30, 2006

Angelo Brocato's reopens to relief & euphoria, says Adam Nossiter from New Orleans


Angelo Brocato's Reopens: The Keepers of the Flame
Originally uploaded by Sazerac.


"The reopening of Angelo Brocato’s Italian Ice Cream Parlor, which had been closed since Hurricane Katrina after a century of operation, has brought an outpouring of relief and euphoria," says NY Times writer Adam Nossiter in the article Spumoni Fills a City’s Void, and Its Belly. "On the shop’s first day back in business, for which a band was hired, people drove from miles and stood for three hours in a line that stretched far around the block. Even five days later, on a midweek afternoon, customers lined the inside of the prim, old-fashioned parlor.

Mid-City seems deserted. Weeds grow lustily through the cracks in the sidewalk, and none of Brocato’s neighbors on Carrollton Avenue has returned. The five-foot-high waterline is still visible next door, and a light fixture dangles in the frame of what was once a store sign. But inside Brocato’s, there is a hub of vigorous activity. At one table, a group is celebrating a bar exam triumph; at another, a French Quarter bartender is toasting a day off.

In line, the faces are patient; nobody complains about the wait, and for solid reasons.

First, there is the taste. Zuppa inglese, amaretto, stracciatella and other flavors are creamy, not too sweet and custard based, with fresh fruits and flavorings often imported from Italy. No store-bought ice cream can erase the sumptuous memory."

There's more at the NY Times. Thanks to Sazerac for covering the re-opening.

That intensely sweet smell across the neighborhoods of the fair town: osmanthus fragrans, aka sweet olive


From China with love: sweet osmanthus

Sweet Osmanthus (Osmanthus fragrans; also known as Sweet Olive or "Tea Olive") is an evergreen shrub or small tree growing to 5-12 m tall, says wikiepdia.org. It is native to Asia, from the Himalaya east through China to Japan.

Its flowers are small (1 cm long), white, with a four-lobed corolla and have a strong fragrance.

It is cultivated as an ornamental plant in gardens (both in Asia and elsewhere in the world) for its deliciously fragrant flowers which carry the scent of ripe peaches or apricots.

The plant is semi- to moderately-hardy and will survive light frost but will not survive a prolonged or hard freeze.

In Chinese, the plant is called xī (樨), and its flowers, called guì huā (桂花, literally "cinnamon flower" or "cassia flower") are used, infused with green or black tea leaves, to create a scented tea called guì huā chá (桂花茶).

In Chinese cuisine, the flowers are also used to produce osmanthus-scented jam (called guì huā jiàng, 桂花醬 or 桂花酱), sweet cakes (called guì huā gāo, 桂花糕), dumplings, soups, and even liquor (桂花酒).

Well, bless my soul.

Indeed, I love sweet olive. It reminds me of uptown New Orleans and City Park. It's also redolent of Houston's Montrose and of Mobile and Biloxi for me.

And you?

Artspace, Shreveport: Faces of Katrina open Thursday through Saturday, 10 to 6 pm


Artspace, Shreveport: Faces of Katrina

Attendance at Artspace on a daily basis is higher than ever. The visitor count is running about 125 per day, Pam Atchison told the Artspace exhibit committee.

The Faces of Katrina exhibit presents, in words & faces, a story that touches people.

Downstairs are art activities (portraits of New Orleanians, repousse, writing and media projects) designed to remind youngsters and parents of why New Orleans is important. And there are artist guides to help make the projects flow easily.

Th - Sat, 10 to 6
673-6535
And say hello to vibrant new Artspace manager MaryBeth O Connor.

Biking to work in East Shreveport: a minuscule but growing phenomenon


Bike to Work grows: Friday there were five

An estimated 40,000 cyclists commute to work by bike in NYC, says Steven Kurutz in a NY Times article called Queasy Rider.

He writes, "Despite the obstacles, this may be an ideal moment for seeking a bike-friendlier New York. With issues like global warming and high gas prices at the forefront of public consciousness, many advocates say that after years of struggle, they finally have the political capital to make cycling a top priority in the city."

In East Shreveport I'm part of a salutary and early step in that direction. Several of the teachers at Caddo Magnet High have begun to bike to work. We meet at Betty Virginia Park. So far it has been a Friday commute. Some of us will upgrade to twice a week. Initially there were three of us. This week there were five.

The NY Times article follows a magazine editor who rides from Brooklyn to Manhattan. He began biking to work two months ago "because he wanted to lose weight but didn’t feel like going to the gym."

We're doing it for several reasons. Keeping the weight down and pumping the heart rate up is one of them. Inspiring the students and local comuters is another reason. One of the benefits is that the ride is a breakfast conversation sans biscuits.

What about safety? In the NY Times article Kurutz says three NYC riders were killed in June. "A 23-year-old aspiring filmmaker was pinned beneath a tractor-trailer on Houston Street in Manhattan on a weekday morning. A 41-year-old woman was hit by a truck on Rockaway Parkway in Brooklyn in the evening. And a 56-year-old doctor collided with a Police Department tow truck while taking a midnight ride on the Hudson River Greenway."

The Hudson River Greenway is an 11.5-mile stretch that runs from Inwood to Battery Park City. "With as many as 10,000 cyclists on the busiest days, Transportation Alternatives says, it ranks as the nation’s busiest bike path."

Kurutz notes "Chicago, with a population of nearly three million, announced a plan this year to put every resident within a half-mile of a bike path. And Chicago’s program seems paltry in comparison with that of Davis, Calif., a city of 60,000 that Bicycling magazine said “has cycling in its veins.” Among Davis’s features are a $7.4 million bike tunnel and a network of bike paths so comprehensive and safe that the city has eliminated its public school buses."

In Queasy Rider the editor says "When I bike, I see faces. I see storefronts. I’ll stop to visit someone. I’m engaged in the city.”

Biking for exercise and for camaraderie has many local adherents. Biking to work is something else. It integrates exercise into the daily flow. We are lucky that ours is a 25-minute commute through the old part of the city.

Safety? We meet at 7:15, when auto traffic is light. Going home about 4:30 is also a light time - on the right streets. We stash work clothing in a locker in our classrooms. In a small way we're living as though we were in a cool, utopian city.

How many of you bike to work? To the grocery store? Where do you live?

"Shreveport drivers are pretty nice to me," said scooter commuter and Centenary prof Todd Gabriel yesterday at Brookshires. He likes motorized cycling so much he's bought his second small Honda scooter. He adds, "It feels a lot safer here than in Phoenix."

Thursday, September 28, 2006

portraits of shreveporters: photo, video, sound, sculpture, mixed media; Sat, Sept 30, 8 pm, 846 Texas Ave


Allie and posse

portraits of shreveporters

photo/video
aubrey, david, aimee, heather g. our bodies, our sleeves

sound
make out with bears, cidric, chris j, elliot, ian, jendri, chris b, mr carter

sculpture/mixed media
allison, christy, carter, jackie, jay, sherri, elliot, meredith, levette, morgan, bryan, melanie, mattie, jen

9/30/06
846 Texas Ave

8 pm
more at swampland.org

(love, love, love ...)

Bubble Rap II: art inspired by comix, tattoos, games, novel & magazine covers; now showing at LSUS Gallery and Centenary's Magale Library


Hanging the Bubble Rap II show: Michael G and Chris
.

Art zooming out of comic books, tattoos, role-playing games, horror movies, pulp novels and magazine covers and other pop culture artifacts will be on display at 2 different locations -- the LSUS University Center Gallery and in the lobby gallery of Centenary College's Magale Library. Both locations will display different work, says Michael G. Moore.

Inspired by the dialogue and thought bubbles common to comics, the title of the show refers to the ongoing visual dialogue between curator Moore and the 21 Shreveport-area artists represented. The artists:

Chris Alexander
Vivian Ogea Allen
Matt Beckham
Mark Burt
Brad Campbell
Eric Dean
Debbie Buchanan Engle
Rachel Stuart Haas
Billy Hargrove
Micah Harold
Kenny Keil
Chuck Loridans
Jody Raney
Lisa Smith
Leland Strebeck
Donna Strebeck
Robert Trudeau
Jen Wasson
Danny J. Williams
David Wright
Sizer Yerger

The two locations will have separate opening receptions:
Thurs, Oct 5 from 6-8 p.m. at Centenary
Thurs, Oct 12 from 6-8 p.m. at LSUS.

An essay by writer Michael Parker focusing on the significance of these often-dismissed genres, both historically and as expressed by local artists, will be published at the exhibit.

MoFo: Michael G. Moore at 318-686-3863, or info@nwlaartgallery.com.

Wednesday, September 27, 2006

New Artspace manager is former Shreveporter MaryBeth O Connor; compares Wesley Lake Gallery in Asbury Park, NJ, to Shreveport's West Edge and Artspace


New Artspace manager Mary Beth O Connor
Originally uploaded by trudeau.

Says MaryBeth O Connor, new manager of Artspace, "My gallery work began at the C Lazy U Dude Ranch in Granby, Colorado. I was responsible for the purchasing and sales of Native American jewelry, Navajo rugs, pottery, original and limited edition prints, and the interior design of the Guest Cabins and Lodge. The ranch owner's mother, Peg Murray, was a painter that I worked with closely. At that time she had lost her sight due to diabetes. It was at this time in my life that knew what I wanted to do with my future.

Working in galleries and custom frame shops while I was studying photography gave me insight and experience and the hope of opening my own gallery some day. I worked with a gallery which focused on European Impressionists, and learned the art of creating collections and representing artists from all over the world.

Looking into the future, I wanted to be able to offer a multitude of services in my own fine art gallery and custom frame studio. So, I studied painting restoration in Florence, Italy. It is there that I had the pleasure of studying with Lorenzo Cassamente, who restores Michaelangelo, Giambalogna, and Masaccio's work in Florence and throughout Europe.

I knew when I found the space in historic downtown Asbury Park that it was time for me to venture out on my own. I fell in love with the 2500 sq ft raw space and what was starting to happen with the arts scene in Asbury. There were a plethora of artists' studios, great music (home of Bruce Springsteen's Stone Pony), the Garden State film festival, wonderful restaurants, great galleries, and a community supporting the arts. I knew I needed to be a part of the revitalization of this city.

I opened Wesley Lake Gallery after renovating the space. With dedication and passion I built a clientele of 3500 and represented 15 artists from all over the country. I loved every aspect of the business and took great pride in my work and the exhibitions I curated/produced. When I sold my business there were more than seven galleries in town, First Saturday Art Walks, a bustling downtown and Main St., huge economic growth, and a community being reborn with mulitmillion dollar condos just blocks away. Asbury Park still continues to grow and will flourish with the support of the community, and the creative spirits that are drawn there.

Although they are worlds away, downtown Shreveport and downtown Asbury Park have a great deal in common. The energy and talent is here and is growing, and with this great vision of SRAC's West Edge Arts District we can, as a community, realize our dreams. I couldn't be happier to be back in Shreveport, now more than ever!"

That's funny. Just the other day I was thinking how much Shreveport and Asbury Park, New Jersey, resembled one another.

Donald Webb lecture series, An Octogenarian's Muses, begins Oct 3 at Centenary College


River Llugwy
Originally uploaded by Stu Worrall.


In his Fall Study 4-week series at Centenary College, past college pres Dr. Webb will pay tribute to eight people who have inspired, lifted, and shaped him during his 80 years, says Amy Giglio. In his own words, “Eavesdroppers may be engaged, enchanted, enriched, encouraged and entertained!”

Donald Webb was born in 1926 in a Welsh mining village. Scholarships took him to a good school and Cambridge University. He served as a Royal Navy officer in World War II, and finally as captain of the minesweeper HMS Switha. In 1958, Don, his wife Renee, and their children journeyed to America where he trained for the ministry. His degrees include a Masters of Divinity and a Ph.D. in theology, literature and psychology. From 1977 to 1991 he was President of Centenary College of Louisiana. He lives in Shreveport and is an active community volunteer.

Series Dates: October 3, 10, 17 and 24
Times: Choose either 10:30 a.m. – noon or 5:00 p.m. - 6:30 p.m.
Kilpatrick Auditorium
Cost: $35
869.5136 or 869.5715

Texans apparently know something about how to henna; see recent work by Dennis O Bryant


Henna by Dennis O Bryant

We have a frisky artist friend named Dennis O Bryant. Lives in an old house in the historic district of Marshall, Texas, and plies his art. That would be landscapes, abstracts and nudes.

Single and still exploring the, well, landscape, he wrote this week, "Do you know anything about henna? It's a Middle Eastern form of body painting. More or less temporary tattoos. Do you think there would be any interest in Shreveport-Bossier?"

Well, Deno. Depends on what you mean by Any Interest. Those who see Any Interest in this Texan's take on henna can follow up at denoart.com.

He adds "Here's a couple of pics of the first session - an interesting medium to say the least." Yes, Dennis; yes. We understand. Somehow you have managed to maximize the interest in the medium.

Songwriters: author and songwriting teacher John Braheny coming to Centenary, Red River Revel

From Johnbraheny.com, via Julia Foley of Ren Ten Ten Music:

For the first time ever, John and JoAnn Braheny will present a full seminar and book-signing for Shreveport and surrounding area musicians and songwriters. Here's our schedule:

Thur: Oct 5th, 4:00-6:00 pm
Radio Interview with John Braheny on Tom Pace's program, Talk of the Town, which will be WEB-streamed live from KRMD 1360 AM.

Fri: Oct 6th, 7:00 pm
Book Signing - Barnes and Noble bookstore,
6646 South Youree Drive, Shreveport.

Sat: Oct 7th, 10:00 am - 5:00 pm ($25. Whatta deal!)
John Braheny Songwriting Workshop
Centenary College (Music Dept.)
2911 Centenary Blvd., Shreveport.

Saturday: 6:00 pm - Songwriters Stage at the Red River Revel (Notify Julia Foley if you want play live.)

Contact event producer in Shreveport, Julia Foley.
Phone (318) 402-2398 or email her at: renefoley@hotmail.com.

Private consultations in Shreveport with John Braheny ($100hr) will be available on Sunday, Oct. 8th. For further info about consulting services: johnbraheny.com/john/consult To make an appointment in advance, email john@johnbraheny.com.

Tuesday, September 26, 2006

Re Cycling and Shreveporters who separate and cart their goodies to the center: Kathryn Usher investigates

Direct from SptBlog editor Kathryn Usher's blog, crazy in shreveport - on blogspot:

The Dirt on Shreveport Recycling

Here's the visual for a great cartoon: A woman stands in front of three bins. They are marked PAPER, CANS and PLASTIC. She places her separated trash into these containers. What she doesn't see is that under the floor there are tubes that send everything into a trash truck headed for a landfill.

THIS ISN'T HAPPENING IN SHREVEPORT!

A post at Shreveport.blogspot.com on September 16 entitled "Garbage and the mayoral candidates" worried me enough to leave a comment. It was about the efforts to green up Shreveport.

After reading it I was concerned that my newly separated cans and plastic bottles were landfill bound. I blogged about it at my myspace site. Noma suggested contacting Liz Swaine. Here's what she had to say:

"Yes, there is always a market for aluminum. I also did some checking and found out that your plastics are being recycled, too, so you ARE making a difference! Here is the response I got from our superintendent of solid waste on the question: Plastic received at the Recycling Center is dispersed nation wide and processed to construct everything from polyester used to make carpet and other products containing polyester to new products made of plastic. Several of the companies we use are, Clean - Tech, a company in Dundee, Michigan and K. W. Plastics, in Troy, Alabama."

Didn't ask about newspapers because I don't recycle those, yet. I mostly reuse them in the litter boxes (yes we have two, sometimes three).

About the picture: These are cans waiting in my kitchen to get squished.
posted by Crazy In Shreveport @ 7:51 AM

2 Comments:

At 9:19 AM, Noma said…

What about the gobs of heavy paper I'm driving to Centenary's Recycling dumpster? Did she say? Do you know?

At 8:18 AM, Crazy In Shreveport said…

Well, um, I didn't ask about paper. Tag, you're it. You get to ask about that one. I'm afraid she'll think I'm stalking her.

Invitation to place art in background of a Homeland Security arts & crafts fair scene



Writes Juliana Hoffpauir, "I visit your blog often, enjoy it, and appreciate that it is here in Shreveport. I am hoping that you could help me with a posting. I am working in the art department on a movie shooting in town called "Homeland Security." We are looking for a local artist to donate small paintings, enough to dress a booth one may typically find at an arts and crafts fair. The scene will be shot downtown with Antonio Banderas, and the booth will be featured in the background. The paintings would be good exposure for the artist and we would take good care of them during the shoot. After the shoot, we will return them.

If you think any of your readers would be interested in donating their paintings, please let me know. I am posting on Craig's list today, but I think your audience is more appropriate. Thanks for your assistance.

Juliana Hoffpauir
Art Department
Homeland Security
318-632-8028
318-525-1453 (fax)

Classical Mystery Tour: the group Beatlemania plus the Shreveport Symphony Orchestra at the Municipal Auditorium Fri, Oct 6, 7:30 pm


The Beatles
Originally uploaded by niner74.
Butterman, the new orchestra leader, and Beatlemania, the tribute band from Broadway: the best of rock's best, plus romance.

Fri, Oct 6, 7:30 pm
Shreveport Municipal Auditorium
tickets $15, 25, 35 & 40
227-8863
shreveportsymphony.com

Sunday, September 24, 2006

Beth Patterson lays siege to Shreveport with a well-aimed bouzouki; House Concert Sat, Sept 30, 7 pm


Beth Patterson, Bayou Celtic girl
Originally uploaded by trudeau.

Guitar, bass and graphics slinger Jim Huckabay writes, "Announcing our next House Concert this Saturday, September 30 at Fairfield Studios!

How's this for a change of pace? —Beth Patterson, a spirited performer who was born in south Louisiana and is now an accomplished Celtic songstress and Bouzouki master
(if there were such thing as a baritone mandolin, this would be it) will grace our stage with her original compositions.

Beth has traveled extensively and is well respected in
Celtic circles at home as well as in Canada and Europe.
Whether or not you are a fan of Celtic music (Scottish/Irish) I think you will like Beth — her original music is passionate, and her vocals and musicianship top notch.

For more on Beth and a sampling of her live music, visit her recording label website at littlebluemen.com

Beth Patterson will draw her own following of Celtic fans from the area, so get your reservations in now for this weekend concert. Hope to see you there!"

Celtic music fans might also want to check Enoch Doyle Jeter's Northeast Louisiana Celtic Fest, to be held Oct 7 and 8 at La Purchase Zoo & Gardens, Monroe.

More at enochsirishpub.com or
http://www.nelacelticfest.org/. We're pretty sure Miss Patterson will be appearing there, too.

Saturday, September 23, 2006

Mark Griffith, journeyman guitarist, has another side: baroque lute; concert at Karpeles Sat, Sept 23, 1 pm


Caravaggio_Lute Player_NY
Originally uploaded by Philharmania.
Mark Griffith, says Karpeles Manuscript Museum, will present a baroque lute recital at 1 pm Sat, Sep, 23, at Karpeles Museum, 3201 Centenary Blvd, Shreveport, LA 71104

Cost: Free
Lute Recital 1-3 pm

Friday, September 22, 2006

Caribbean art: Cuba Plastica at Meadows Museum of Art, Centenary College


stick figures 2
Originally uploaded by Mr. Mark.
The current exhibits at Shreveport's tiny jewel, Meadows Museum, Centenary College:
Louisiana Collects: Paperworks from the Roland-Geist collection of New Orleans
Aug. 20 - Oct. 22
Cuba Plastica: Recent Art from Cuba
Aug. 20 - Oct. 22
The Art of Haiti from the Collection of Dr. Henry K. Miller of Baton Rouge on the Occasion of the 50th Anniversary of the Hospital Albert Schweitzer in Haiti
Aug. 20 - Oct. 15

Normal hours are:

Tuesday . . . 12-4
Wednesday . . . 12-4
Thursday . . . 12-5
Friday . . . 12-4
Saturday . . . 1-4
Sunday . . . 1-4
Contact Numbers

Info: (318) 869-5169.

Thursday, September 21, 2006

Cello concert by Ruth Drummond & Paul Christopher 3 pm Sun, Sept 24, Centenary's Anderson Recital Hall


RuthieDrummondKristinaVaska-Haas
Originally uploaded by trudeau.
The Hurley School of Music at Centenary College will present guest cellists Paul Christopher and Ruth Drummond in "The Gift of Melody: The Cello Duos of Jacques Offenbach" at 3:00 PM Sun, Sept 24, in Anderson Recital Hall.

The duo released a compact disc by the same title in 2004 on the Human Metronome label. The second recording in the series, "The Perfect Gift," was released in 2005, and the third will be recorded this fall with a release scheduled for a later date. I'd like to add that I have a copy of their first disk and it's swell.

Christopher is Instructor of Low Strings at Northwestern State University and the principal cellist of the Longview Symphony Orchestra. He is also a member of the Sylvan Chamber Ensemble, which is on the Texas Commission of the Arts touring roster.

Prior to his appointment at Northwestern, he served 15 years as the principal cellist of the Shreveport Symphony Orchestra and Shreveport Opera and was a member of the Premier String Quartet.

Drummond, principal cellist of the Shreveport Symphony Orchestra and Shreveport Opera, is a member of the Premier String Quartet and cellist in the Evangeline Piano Trio. She is also a longtime member of the Baroque Artists of Shreveport. During the summer months, she is the principal cellist of the Shreveport Summer Music Festival and Opera East Texas.

The concert is free and open to the public. For more information, call 869-5235.

Wednesday, September 20, 2006

L' Art pour Animaux: A call to artists for Nov 19 pet sanctuary benefit at Pierremont Mall


Got milk?
Originally uploaded by Cora.

Art for Animals of Shreveport, LA. is expecting another furry event on November 19 to help the local animal rescue groups and have a great time, says Karen Guerin. The location is Pierrmont Mall. For the artisans and photographers who have numerous items to sell there is the Barktique de Noel area. And all money goes to local animal groups who provide sanctuary and find homes for abandoned animals.

Tickets are $5. Semolina Restaurant serves hot nibblies and wine. There's also a bar at which cash is welcome.

Art from all locations and in all media is welcome.

Please see www.lartforanimals.org for a prospectus with dates and more details.

Last year we served over 500 people, says Guerin, so this is a great opportunity to show your work, meet new friends and make a difference for the many four-legged beings who deserve a fair deal.

Chairperson Martha Van Horn
9 Tealwood
Spt 71104
318-869-2715

L’Art for Animals
Karen Guerin – 349-5589, artforanimals@earthlink.net
Jeanne-Marie Reed – 868-5836

Tuesday, September 19, 2006

James Burton and former Shreveporter James Austin push rockabilly compilation, Rockin' Bones, on NPR

Wanda sings for capitol.
Identified as a Shreveporter, record producer James Austin - alongside guitar bard James Burton - popped up on Morning Edition this week. Here's some of the interview with Renee Montagne (Sept 19) about his rockabilly compilation on Rhino:

"Just as the Ramones, the Clash and Sex Pistols broke the rules in the 1970s, so did a slew of equally rebellious singers and their groups a generation earlier. Rockin' Bones, a new CD collection, features the music of 1950s rockabilly artists who were the iconoclasts of their day.

Ronnie Dawson's "Rockin' Bones" is the title song on a set that also features Elvis Presley, Jerry Lee Lewis, Buddy Holly and other rock 'n' roll stars.

Well when I die, buried six foot deep / With a rock 'n' roll record at my feet / A phonograph needle in my hand / I'm gonna rock my way right out of this land.
"That's really great poetry," says James Austin, who produced the Rhino set.

Austin says the idea for the compilation was inspired by a song he discovered in a record store -- in the orgasmic, over-the-top "Little Girl" by John and Jackie, recorded in 1958.

"I could not believe what I heard, and I started thinking, these are really oddball songs," Austin says. "They're rockabilly but they're so hardcore. And I came up with literally hundreds of them."

The women of rock 'n' roll, including pioneer Wanda Jackson, held their own against the men who dominated the genre, Austin says. Their message of "I'm as tough as you" was a stark contrast in an era of poodle skirts and saddle shoes, he adds.

Amazon reviewer Robert Wagner (Atlanta, GA) wrote of the new CD, "Paid a premium price for these discs, but it was worth it. Despite a few mainstream hits that could have been replaced with
more 'dangerous' songs, maybe by Gene Vincent for example, most of these songs are keepers - stuff I didn't know existed, and would be very hard to find on their own.

All in all, an excellent addition to anyone's 1950s music collection. For the most part, this is the stuff parents didn't want their kids listening to. Some of it was banned from the radio; a few songs the record companies would not put out. If you want a taste of the 'underground' music of the 50s, get this set."

Happy to hear everyone's so stoked about the recordings, but the ones played on NPR were tepid, including the opening cut by the Clash. Seems to me listening to rockabilly on record is a pretty useless pursuit. Heard and felt in a dance hall, it rips. Take the screaling guitar amps and spitting, screaming vocalist into the studio and you remove the guts.

When's the last time you heard a rockabilly band - or any punked out gang of guitar-wielding anarchists - in the flesh?

Race, gender or anarcho-excluded? See the Puffin Foundation for an emerging artist grant


Puffins on the watch
Originally uploaded by FelixvdGein.

The Puffin Foundation seeks to open the door of artistic expression to artists who are often excluded from mainstream opportunities due to their race, gender, or social philosophy, says Pam Atchison. The Foundation is interested in supporting creative and innovative initiatives that will advance social change, despite the fact that change will occur willy-nilly, with or without such initiatives.

Grants are intended to encourage emerging artists in the fields of art, music, theatre, dance, photography, and literature.

Proposals for 2007 grants will be accepted from September 1 until December 15, 2006. Visit their cool site, puffinfoundation.org., for more information.

There I found this background: "Why the Puffin? The Puffin, once endangered in the northeastern United States, was returned to its native habitats through the efforts of a concerned citizenry. Our name is a metaphor for how we perceive our mission in the arts: to join with other concerned groups and individuals to ensure that the arts not merely survive, but flourish at all levels of our society."